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White Woman Rachel Dolezal PRETENDS SHE'S BLACK?

Why Rachel Dolezal's latest name change is not OK

16 Apr White woman who pretended to be black 'living off benefits years after scandal as no-one will hire her'. Dr Phil confronts Rachel Dolezal (Image: Dr Phil). She pretended to be black for 10 years (Image: Dr Phil). And Dr Phil isn't impressed ( Image: Dr Phil). But, to Dr Phil's shock, year-old Rachel. 27 Mar Rachel Dolezal still identifies as black and says she has been 'stigmatised' since being outed as a white woman in Screenshot. Rachel Dolezal, the white woman who for 10 years pretended she was black before being publicly outed, has called for racial fluidity to be recognised. 25 Feb Two years ago, she was a respected black rights activist and teacher. Then she was exposed as a white woman who had deceived almost everyone she knew. Why did she do it?.

I 'm sitting across from Rachel Dolezal, and she looks Not a little white, not racially ambiguous. Dolezal looks really, really white.

She looks like a white woman with a mild suntan, in box braids—like perhaps she'd just gotten back from a Caribbean vacation and decided to keep the hairstyle for a few days "for fun.

Parents out 'black' NAACP leader as white woman

She is also smaller than I expected, tiny even—even in her wedge heels and jeans. I'm six feet tall and fat. I wonder for a moment what this conversation might look like to bystanders if things were to get heated—a giant black woman interrogating a tiny white woman.

Everything about Dolezal is smaller than expected—the tiny house she rents, the limited and very used furniture. Her 1-year-old son toddles in front of cartoons playing on a small television. The only thing of real size in the house seems to be a painting of her adopted brother, and now adopted son, Izaiah, from when he was a young child.

The painting looms over Dolezal on the living-room wall as she begins to talk. I try to get my bearings and listen to what she's trying to say, but for the first few moments, my mind keeps repeating: I did not want to think about, talk about, or write about Rachel Dolezal ever again.

While many people have been highly entertained by the story of a woman who passed herself off for almost a decade as a Black Hookup White Lady Pretending To Be Black woman, even rising to the head of the Spokane chapter of the NAACP, before being "outed" during a TV interview by KXLY reporter Jeff Humphrey as white, as later confirmed by her white parents, I found little amusement in her continued spotlight.

When the story first broke in JuneI was approached by more editors in a week than I Black Hookup White Lady Pretending To Be Black heard from in two months. They were all looking for "fresh takes" on the Dolezal scandal from the very people whose identity had now been put up for debate—black women.

I wrote two pieces on Dolezal for two different websites, mostly focused not on her, but on the lack this web page understanding of black women's identity that was causing the conversation about Dolezal to become more and more painful for so many black women.

After a few weeks of media obsession, I—and most of the other black women I knew—was completely done with Rachel Dolezal. Right after turning in a draft of my book on race at the end of February, I went to a theater to do an onstage interview on race and intersectionality a mode of thinking that intersects identities and systems of social oppression and domination.

But before going onstage, my phone buzzed with a "news" alert. Rachel Dolezal had changed her name. I quickly glanced at the article and saw that Dolezal had changed her name to Nkechi Amare Diallo.

While many people have been highly entertained by the story of a woman who passed herself off for almost a decade as a black woman, even rising to the head of the Spokane click of the NAACP, before being "outed" during a TV interview by KXLY reporter Jeff Humphrey as white, as later confirmed by her white parents, I found little amusement in her continued spotlight. Subscribe to our Daily newsletter Enter email Subscribe. She is, in all honesty, a very talented painter. Everyone looked so normal compared with me.

My jaw dropped in disbelief. Nkechi is my sister's name—my visibly black sister born and raised in Nigeria. Dolezal claimed that the name change was to make it easier for her to get a job, because the scandal had made it so that nobody in the Eastern Washington town of Spokane pop.

I'm going to pause here so we can recognize the absurdity of this claim: Maybe they'll just confuse you with all the other Nkechi Amare Diallos Spokane and not think when a white woman shows up for the interview: By the time I finished my interview on that rainy February day, my cell phone indicated that I had a voice mail.

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For two years, I, like many other black women who talk or write about click here justice, have tried to avoid Rachel Dolezal—but she follows us wherever we go. So if I couldn't get away from her, I was going to at least try to figure out why.

I surprised myself by agreeing to the interview. I began to get nervous as the interview day approached. By the time I boarded a Black Hookup White Lady Pretending To Be Black to Spokane, which is a one-hour flight from Seattle and is near the border with Idaho, a state that's almost 90 percent white, I was half sure that this interview was my worst career decision to date.

Initially, I had hoped that my research on Dolezal would reassure me that there was a way to find real value in this conversation, that there would be a way to actually turn this circus into a productive discussion on race in America. Shortly after I announced the deal for my first book a primer on how to have more productive conversations on racea friend posted a link on my Facebook page. With a joking comment along the lines of "Oh no! Looks like Rachel beat you to it!

Throughout the week, at least five other friends sent me similar links with similar comments. A link through my social-media feeds showed that I was not alone. Black women writers around the country were all being sent links to articles on Dolezal's book deal—the memoir of a black woman whose claim to fame is Then we'll go down to the art studio later and look at some of my work," Dolezal says to me after I arrive at her home.

The laundry basket is already sitting in front of the fireplace ledge. Dolezal takes a seat and begins folding while I dig my notebook out of my backpack and set up my recorder. The scene is eerily normal. The woman who has been at the center of a controversy that has captivated the country for two years is doing chores and lovingly soothing her toddler after he falls down while trying to pick up a toy. Dolezal asks almost defensively if I have read her book, and when I say yes, she looks visibly relieved.

With the din of the television set playing in the background, and with occasional interruptions from her busy toddler, Dolezal and I begin talking.

She has just returned from New York City where she had done the rounds during a media tour for her book, appearing in a Facebook Live interview for the New York Times and giving interviews to Vice and the Today show.

She is currently jobless and spends her days looking after her sons, ferrying them to school and appointments. She braids hair for cash and is still looking for work. Her rental house is a month-to-month lease. We visit Dolezal's studio.

She is, in all honesty, a very talented painter. The majority of her paintings feature black people. Other than the paintings of her children, most of the black people depicted appear to be dressed as slaves or tribespeople. Breaking this pattern was a series of portraits hanging on the wall of Dolezal herself. They were done Warhol style, each painting duplicated in a different color. Dolezal explains them to me: Dolezal chuckles as she says this, as if it is the most clever and original idea anybody has ever had.

I don't know how many times a white person has told me that they don't care if I'm "red, green, blue, or purple" when they are trying to explain to me just how "not racist" they are—I've lost count. I do know that I've rolled my eyes every time. As my brother Ahamefule said to me once, "They may not care if I'm red or green blue or Black Hookup White Lady Pretending To Be Black they sure as hell care that I'm black.

I ask her specifically about the problematic sections of the book, explaining that her description of falling in love with blackness based on a National Geographic and a Sports Illustrated seems fetishizing to me.

A lot of the images of black people in National Geographic have been incredibly fetishizing over the years. Is there a reason why you chose the language that you chose? Because honestly, if anybody came up to me and said their first encounter with blackness was through National Geographicand they loved it, I would end the conversation immediately.

I have never read a more exhaustive encyclopaedia of outlandish injustice. The photographer thanked me for the suggestion, and I stood to allow Dolezal to take the chair I had been in. Father, 29, who tried to kill his three young children and step-daughter with a hammer then deliberately

Dolezal seems offended I would even ask that, reminding me that she was writing about her experience with blackness as a child. I felt like my gaze was more humanizing, and more of, again, black is beautiful, black is inspirational. I had a different gaze than he did. But as a 5- or 8-year-old child, looking at images of people, you're not looking with a doctoral degree sociology and anthropology and parceling this stuff apart.

I try to clarify that it is the fact that she thinks that her connection to blackness represented via National Geographicno matter how inspirational, could be authentic is itself the problem: I mean, it's not actually black people you are looking at. Then she seems to remember the interviews in which she had bragged that growing up without television saved her from viewing blackness through a white lens, and her tone changes and sounds almost bitter.

There was a moment before meeting Dolezal and reading her book that I thought that she genuinely loves black people but took it a little too far. But now I can see this is not the case. This is not a love gone mad. Something else, something even sinister is at work in her relationship and understanding of blackness. There is a chapter where she compares herself to black slaves. Dolezal describes selling crafts to buy new clothes, and she compares her quest to craft her way into new clothes with chattel slavery.

When I ask what she has to say to people who might be offended by her comparing herself to slaves, Dolezal is indignant almost to exasperation. Because I never said that my life was the same. I never said that it was the equivalent of slavery, of chattel slavery.

I did work and bought all my own clothes and shoes since I was 9 years old. That's not a typical American childhood life," she says. I didn't find a click of connection in those stories, or connection with the story of the princess who was looking for a knight in shining armor.

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I am beginning to wonder if it isn't blackness that Dolezal doesn't understand, but whiteness. Because growing up poor, on a family farm in Montana, being homeschooled by fundamentalist Christian parents sounds whiter than this "silver spoon" whiteness she claims to be rejecting.

Rachel Dolezal: ‘I’m not going to stoop and apologise and grovel’ | US news | The Guardian

Dolezal feels she different from others who would genuinely compare their hardships to slavery: I want to remind Dolezal that she is a former black history professor who has degrees in art, not black history, African history, or American history, but I don't.

I'm trying to not get kicked out of her place early. Dolezal has argued many times that her insistence on black identity will not only allow her to live in the culture that she says matches her true self, but will also help free visibly black people from racial oppression by helping to destroy the social construct of race. I am more than a little skeptical that Dolezal's identity as the revolutionary strike against the myth of race is anything more than impractical white saviorism—at least when it comes to the ways in which race oppresses black Black Hookup White Lady Pretending To Be Black.

Even if there were thousands of Rachel Dolezals in the country, would their claims of blackness do anything to open up the definition of whiteness to those with darker skin, coarser hair, or racialized features? The degree to which you are excluded from white privilege is largely dependent on the degree to which your appearance deviates from whiteness. You can be extremely light-skinned and still be black, but you cannot be extremely or even moderately dark-skinned and be treated as white—ever.

By turning herself into a very, very, very, very light-skinned black woman, Dolezal click here herself up to be treated as black by white society only to the extent that they can visually identify her as such, and no amount of visual change would provide Dolezal with the inherited trauma and socioeconomic disadvantage of racial oppression in Black Hookup White Lady Pretending To Be Black country.

I ask her some easy questions, but she answers them with increasing irritation. When we have been together for three hours, I feel it's time to ask The Question.

Rachel Dolezal, white woman who identifies as black, now jobless, may soon be homeless | Fox News

It's the same question that other black interviewers have asked her.